Since getting my “new” Pentax 645, I’ve been thinking about all the wonderful things that would allow me to get more good out of it. A flash. A zoom lens. One or two long, fixed focal length lenses. A teleconverter. Maybe that 120mm with macro focus. To be sure, all of these things would indeed bring more utility to the camera. And then, I started thinking about my Kodak Duaflex II — and about my music production journey, process, habits, and thoughts. Then, I started to see parallels that deeply concerned me.
One thing I’ve done too much in my life is asking the simple question, “Why?” I’m trying to do a lot less of that these days, especially when I consider the ebb and flow of my multipotentialite-driven passions — some of which end-up being quite ephemeral.
But as I’ve begun to re-embrace film photography, I’ve been asking, “Why?” Not questioning the fact I’m doing it, but more to wonder why and how it appeals to me. I think I’ve unearthed some answers.